Il cinema di Woody Allen: motivi, fobie e ossessioni

INDICE

What’s Up Tiger Lily, Take the Money and Run e Bananas: un uomo qualunque (1966-71)

Play It Again Sam ed Everything You Always Wanted to Know about Sex: un’assillante fissazione (1972)

 Sleeper e Love and Death: l’equivalenza di passato e futuro (1973-75)

Annie Hall, Interiors e Manhattan: nuovi scenari (1976-79)

Stardust Memories, A Midsummer Night’s Sex Comedy e Zelig: riflessioni autobiografiche (1980-83)

Broadway Danny Rose, The Purple Rose of Cairo e Hannah and Her Sisters: l’arte come celestiale balsamo (1984-86)

Radio Days, September, Another Woman, Oedipus Wrecks e Crimes and Misdemeanors: un gelido infinito (1987-89)

Alice, Shadows and Fog e Husbands and Wives: deliziose favole e desolate cronache (1990-92)

Manhattan Murder Mystery, Bullets over Broadway, Mighty Aphrodite e Everyone Says I Love You: inclinazioni congenite ed ereditarietà (1993-96)

Deconstructing Harry, Celebrity, Sweet and Lowdown, Small Time Crooks e The Curse of the Jade Scorpion: anni di crisi (1997-2001)

Hollywood Ending, Anything Else e Melinda e Melinda: riesumazioni e repliche (2002-04)

Match Point, Scoop e Cassandra’s Dream: delitto e castigo (2005-07)

Vicky Cristina Barcellona, Whatever Works e You Will Meet a Dark Tall Stranger: amori passeggeri e ingannevoli (2008-10)

Midnight in Paris, To Rome wih Love, Blue Jasmine e Magic in the Moonlight: menzogne utili alla vita (2011-14)

Irrational Man, Cafè Society, Wonder Wheel e A Rainy Day in New York: disinganno e rivelazione (2015-19)

Rifkin’s Festival: l’epilogo(2020)*

*pagine nuove o aggiornate, lug. 2021